We are now on our second day in London. I’m hoping that Lis will cover getting here and our first day, and I’d like to skip ahead to some thoughts I had about our visit to the National Portrait Gallery. But first, I can’t help but include a word or two about our British Airways flight from Genoa, or, more specifically, boarding our British Airways flight from Genoa.
They called us to board in groups, by row number – we were in row 14. First, they called business class passengers to board, then they called rows 20 through 26. Since we weren’t in either of these groups, I didn’t pay much attention to the process – I was just dimly aware of movement. Then they called rows 7 through 19, so we gathered our stuff and went to board.
The first thing we noticed is that there was no proper queue – one line straggled in from this side, one from that side, all very haphazard, with the girls at the counter looking flustered and confused. After we got to the front of our “line” (actually a scrum of several people, with the girls choosing whom to serve next apparently at random) and they scanned our tickets, we turned to go down the walkway and board the plane, and almost instantly ran in to a huge queue of everyone who had gone before us – they hadn’t actually opened the doors to the walkway yet. So everyone was just standing there, and the queue was backing up in to the gate area. You’ll notice that the effect of this is that the business class people got to stand in line the longest.
After they got us all jammed together in this giant queue, they finally opened the door to the walkway, and we shuffled forward, still packed pretty tightly, but at least moving in the direction of the plane. THEN they called the people needing wheelchair assist, and threaded them through us to get them to the head of the queue – think ambulance working its way through a traffic jam. Wackiest boarding process I’ve ever seen. Crazy Italians (or crazy Brits…?).
Anyway, yesterday we went to the National Portrait Gallery, which I was excited about – I’d highlighted it as something I wanted to do when I was thumbing through a guide book before the trip. Lis wasn’t sure she was interested, but then when we made plans to meet our friends Ron and Trish, they suggested we meet at the National Gallery, and then after lunch suggested we go to the Portrait Gallery. So, yay for me!
Note from Lis: A few details wrong there. I WAS interested in the National Portrait Gallery and I was the one who suggested we go there after lunch. (Gots to get me my credit where it is due.)
We went first to the Tudor room, which I was interested in because I’ve recently read Wolf Hall and Bring Up the Bodies, and listened to several podcasts about the Tudors on The History Chicks, and we’re watching Wolf Hall right now on PBS. I was struck by how much the portrait of Thomas Cromwell looks like Tony Soprano, and by how not beautiful Anne Boleyn was – I thought the woman who captivated Henry VIII for years, to the point of overthrowing the Catholic Church, would be more stunning. I guess that just means her talents and wiles in other areas were even more impressive than I’d thought.
Later, we were in the 20th century room, and I came across a portrait of Princess Diana. I’d been seeing “No photography” signs all about, and was being respectful, but I’ve always had a soft spot for Diana, and so couldn’t resist – I pulled out my phone and took a surreptitious, blurry snap of the portrait (if you look closely, you can see my reflection in the glass, and my stealth, keep-the-phone-low pose). Then I turned around and noticed, right across from Diana, this amazing portrait of Queen Elizabeth in an intimidating, regal posture and a spectacular royal red cloak – surreptitious snap here, too. Later, I learned that the “no photos” rules only apply to specified portraits – ones with copyright issues – and so I probably could have taken legit, and thus better, photos. Oh well – I kind of liked feeling transgressive…
The juxtaposition of these portraits, with the queen tall and stately, towering over and looking down on a soft-focus, vulnerable Diana – it was really something. I wonder if they staged it that way on purpose.
There were many, many great paintings in the portrait gallery – so fun to see portraits of all these historical figures that I’ve read and heard so much about. My other two favorites were this great one of Margaret Thatcher that looked a lot like an old Soviet-era propaganda poster (ah, irony), and a sweet tableau of George VI, Queen Elizabeth (Queen Mum), Princess Elizabeth (now Queen Elizabeth II) and Princess Margaret at home.
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